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Contemporary Irish Artist
  • Paintings
    • 2020
    • 2016-19
    • 2009-15
    • 2006-08
  • Works on Paper
    • Solander Box Collections
    • Ink and Watercolours
  • Exhibitions
    • Installation with Sol LeWitt in American Ambassador’s Residence, Ireland
    • Opus 6 – La Maison Laurentine, France (2015)
    • Small Works 2011 – Taylor Galleries, Dublin, Ireland
    • Memory’s Darkroom 2009
  • About
    • Profile
    • CV
    • Video: PAiNTER W0RKER
  • Articles & Essays
    • Towards Eternity by Aidan Dunne
    • Hyperallergic: Weekend Studio Visit
    • The Intimate Palimpsest by Robert C Morgan
    • Paintings 1987-2004 by Eric Gelber
    • Doi Sitep In Leitrim
  • Contact
  • Paintings
    • 2020
    • 2016-19
    • 2009-15
    • 2006-08
  • Works on Paper
    • Solander Box Collections
    • Ink and Watercolours
  • Exhibitions
    • Installation with Sol LeWitt in American Ambassador’s Residence, Ireland
    • Opus 6 – La Maison Laurentine, France (2015)
    • Small Works 2011 – Taylor Galleries, Dublin, Ireland
    • Memory’s Darkroom 2009
  • About
    • Profile
    • CV
    • Video: PAiNTER W0RKER
  • Articles & Essays
    • Towards Eternity by Aidan Dunne
    • Hyperallergic: Weekend Studio Visit
    • The Intimate Palimpsest by Robert C Morgan
    • Paintings 1987-2004 by Eric Gelber
    • Doi Sitep In Leitrim
  • Contact

Archives

Archives for: "Works on Paper"
Home / Works on Paper
Catastrophes 2015

Catastrophes 2015

Works on Paper

Rinkydinky 2014

Rinkydinky 2014

Works on Paper

Interruptions 2014

Interruptions 2014

Works on Paper

Letters to My Father 2014

Letters to My Father 2014

Works on Paper

Poems to My Father 2013-14

Poems to My Father 2013-14

Works on Paper

Fall 2013-14

Fall 2013-14

Works on Paper

One 2012

One 2012

Works on Paper

Marcantonio Bragadino’s Envelope 2010

Marcantonio Bragadino’s Envelope 2010

Works on Paper

"In abstract terms, Farrell’s paintings are both there and not there. No one can guarantee the communication of anything that strives to be significant, because real communication always involves a certain depth, a synthetic layering of meaning. The risk is enormous, and beyond belief. As I look at photographs of the walls of Farrell’s atelier and compare one hue with another, as I absorb the density and complexity of these retinal effects,
Denis Farrell - Copyright All Rights Reserved © 2020

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